Monday, February 21, 2022

One Last Visit to the Reef and Postscript

The winds died down a bit on Friday, so we decided to jump in for a final photo session before leaving to return home the following day. The water was a balmy 81 degrees so no need for a wet suit. We took a variety of photos, to capture the feeling of the reef as well as the different types of fish we’ve come to know over the past two weeks. 

We bid a fond farewell to the beautiful waters that surround this island and will remember our experiences here always. 



















Can you find the trunk fish?

















Postscript: This post is being published a couple of days after returning home so I am including two experiments that were created on the iPad while on the plane, both there and back. The first was drawn from memory using images taken last fall while snorkeling in a freshwater lake and is in prep for a larger painting. The other references photos taken this past week and is still in process. It is an experiment with a different technique to build coral and reef texture, so it feels very different from the watercolor sketches. Now that I am at home, I’ll be posting additional photos as I process them on my computer. Stay tuned!







Thursday, February 17, 2022

Wrapping Up in Grand Cayman

Yesterday, we ventured to the leeward side of the island for respite from the wind, snorkeling at Smith’s Barcadere, otherwise known by the family as Karen’s Cove. It was one of the locations we snorkeled in 2014 which served as inspiration for a number of paintings. The reef was in better shape than when we visited earlier, due I suspect to lack of tourist activity from Covid and the island not allowing cruise ships. There were some nice examples of elkhorn coral and decent sized schools of blue tangs. We also happened upon a scorpion fish, pictured below, which was a nice surprise. We also noted places where coral frags were attached in hopes of rehabbing the damaged coral heads.

Today, I got up to see the sunrise, with spectacular cloud formations as adornment as the sun broke over the horizon. Later in the morning, though the surf was rough, I snorkeled for a bit to see who was around and active. Visibility wasn’t good for photography, so I enjoyed floating with the surge of the waves, swimming between coral formations as the denizens of the reef scurried about. Knowing this was likely to be my last snorkel, I left the reef and headed towards shore and as I did so, a spotted trunk fish came by to bid me adieu. It is sad to say goodbye to the inhabitants of the reefs we’ve visited and gotten to know but look forward to our next briny adventure, destination unknown.


Surging surf, watercolor 













Sunrise, North Point beach

Clouds at sunrise, North Point beach












Moray eel, trapped in tide pool
waiting for high tide



Smith’s Barcadere, Grand Cayman













Blue tangs, Smith’s Barcadere












Scorpionfish, Smith’s Barcadere












Sargassum weed, washed ashore during a storm




Wednesday, February 16, 2022

Catch of the Day



Winds kept up today, so no beach or underwater time. The break however gave us the opportunity to visit the Queen Elizabeth Botanic Park which featured an amazing garden with plants grouped by flower color per the images below. The day out of the sun also provided an opportunity to review photos and create studies for potential future paintings. 

Reef Study-watercolor













Monday, February 14, 2022

Valentine’s Day in the Cayman Islands

We awoke this morning to 25 mph winds directly onto the beach. Seven to eight foot waves were breaking on the far reef, with smaller waves cresting the beach. These conditions are expected to persist for the next day or so, with bigger waves expected tomorrow. I can’t imagine being here during a tropical storm or hurricane. It makes you appreciate the power of nature.

Below is a quick watercolor sketch to capture the color of the waves, water and sky.














The following photos were taken the previous two days during very calm weather, on the reef just off the beach.

















Saturday, February 12, 2022

Warm Weather Travels

Here are some recent underwater photo experiments and sketches from a couple of weeks worth of travels, through Florida and Grand Cayman. For the underwater images, I am using a Sony A6400 camera in an Ikelite housing, with either a 50mm fixed lens and flat port or a 20mm lens with a dome port, using ambient light, as the reef is shallow.

White Ibis, Watercolor
Ding Darling Preserve, Sanibel Island









Brain Coral Studies, Grand Cayman








White Ibis, J.N. Ding Darling Preserve,
 18-135mm zoom









Damsel fish, Grand Cayman,
50mm lens, with Ikelite housing and
flat port, ambient lighting











Squirrelfish, Grand Cayman
50mm, with Ikelite housing and
flat port, ambient lighting


 








Sea Rods, Grand Cayman, 20mm lens,
with Ikelite dome port, ambient lighting









Spotted Trunkfish, Grand Cayman,
50mm lens, with Ikelite flat port, ambient lighting









Juvenile Blue Tang, Grand Cayman,
50mm lens with flat port, ambient lighting 













Sunday, November 8, 2015

All Work and No Blog

The title says it all. Between working, returning to northern Michigan for fall colors in October, a quick run up to Madison to visit with friends and paint outdoors at Picnic Point, as well as a making progress on a number of portraits, it hasn't left a lot of time for writing.

So, I'll share what I have accomplished.

Scarf and Blazes
11 x 14, Oil on Panel
Em
11 x 14, Graphite
Study, Summer Waitress
11 x 14, Graphite
Model R. - Quick sketch
8 x 10, Graphite Sketch

Picnic Point, Madison, WI
8 x 10, Oil on Panel
Pumpkin Harvest, Manistee, MI
11 x 14, Oil on Panel

Monday, October 5, 2015

Crystallization - Part 5: Postscript - In Memoriam

Marilyn Milam, August 21, 2015. 

While writing the Crystallization series and coming to the decision to channel my creative energy towards portraiture, I received word that my Aunt Marilyn who I had mentioned in the second installment had passed away.

My early memories of her work and that of her husband at the time, who painted in a surrealist style, are still lodged in my brain decades after seeing them as a child. It was in their house where I gazed up at canvases on the wall that I first realized the power of the painted image to move.

I dedicate the Crystallization series to her and it is my fervent hope that I can carry the torch forward with the same passion that she did throughout her life.

Below are two portraits she did of my grandparents, Cora and Gordon, sometime in the late 1950s or early 60s.